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Andy Irvine with Guitar shaped bouzouki
Andy Irvine holding a pint after a long set.
Andy with his mandola, before singing 'never believe it's true'
Andy Irvine holding mandola
Andy Irvine singing with his bass bouzouki.

I was given a tape by a friend of mine are the late 80's, early 90's. You know the thing I mean. ' Listen to this band, they'll blow your mind !' The tape was of Irish traditional music and somehow the image of Ronnie Drew beards, in Arran woolly jumpers, hopping around going diddle ie, was enough for me to put the tape in a drawer for a long while. Then one night at the same friend’s house ( after quite a few drinks ) my ears were woken up to some fantastic music. To my embarrassment, it was the same tape he had made for me a long time ago. I had never heard anything like it.

The band was Planxty and the sound that really struck me was incredible mandolin playing. I can say that very soon after, all my other tapes went in the drawer. I played this on a loop, and eventually got hold of their other albums. This was incredible music, and in the middle was a voice that shone out. This voice also happened to be the mandolin player.............Andy Irvine. I remember making a best of type tape of all of the songs he sung and I guess that was the start of it all. I played this tape on a loop.

Very soon after this I decided that I had to learn the mandolin, not just learn it but play just like the tape. I played for a couple of years but I was getting frustrated that I just couldn't seem to get that sound. Then one day I saw an Ad for a concert by Andy Irvine solo, in a north London Folk club. This was what I needed...............I would go along, see what he was doing that I wasn't and that would be that.

What no mandolin?

Andy was signing and chatting with people when I arrived. I decided that I would buy a cd and get him to sign it for me. I counted my money and I had enough to get the 2 cd's but I knew it would be toast for the rest of the week, if I did..............I bought 'After the break' and a solo album 'Rude Awakening' ( After the Break' got stolen but I still have 'Rude Awakening' ) I asked him about the mandolin, just a thousand or two questions. He told me that he doesn't play much mandolin on stage these days,and that he mainly plays bouzouki. What no mandolin ? A bouzouki, what the hell is a Bouzouki? Bloody brilliant!! No mandolin and I was on toast for the rest of the week. He handed me the 'Rude Awaking' cd with " Good luck with the ol' mandolin" signed Andy Irvine. He didn't play it anymore! good luck with the ol' mandolin, 'Rude awakening'................yes, it was beginning to be !

There were many musicians playing that night, various styles of various levels. Then Andy got on stage with his bouzouki and a drone pedal at his feet. What happened next is a bit of a blur really. It was a bit like when people get blasted by those phasers in Star Trek. This was the most incredible sound and feeling I have ever experienced from watching a musician, ever! I can't even remember what he sang that night, but I do remember a few mind blowing Balkan tunes..................................................I had to have a bouzouki !!!!!!!!!!


Funny thing is that I even brought a note pad, to write down a few tips and tricks, but his fingers moved too fast for me to even see, never mind write it down! I had never heard a bouzouki or Balkan music and the way he played those tunes was addictive to the ear.

In the coming months I squeezed enough money together to get the cheapest bouzouki in the shop, a Musikalia. Not a great tone but it was a start. I played it every spare second I got............................until my work dried up. Money was as scarce as pink elephants,I was getting used to the taste of toast and the rent was backing up. I began selling everything to keep a roof over my head, and that also meant the mandolin and bouzouki. I took them back to the shop where I had bought the bouzouki, less than 6 months before. The guy in the shop gave me a bullshit story about the neck being broken and repaired. Broken neck !!! I hadn't even changed the strings ! He gave me buttons for it, I was desperate for cash and he knew it! The funny side to this story is that the guy in the shop was also playing on stage that night I saw Andy play. What can I say......................Don't give up your day job, Pal !!!!!

Later I picked up a guitar for $25 and converted over to 8 strings. It sounded magic and a lot better than that old Musikalia any day. I could never afford one of those Sobell Guitar shaped Bouzouki's but If I squinted my eyes and tilted my head to the side, it was close. After that I bought a real Irish Bouzouki called a Sherwood, in a Dublin music shop. Spruce top, Sycamore back and sides, rosewood fret board and a wonderful Jangly sound. I still have it and wouldn't swap it for any amount of buttons.

I have a few more since those days......................................Tell me Your Story

How it all started.
Donal Lunny and Andy Irvine both playing early Bouzouki's at the Balisadore Festival 1979. Black and white photo by Dieter Goll.
Donal Lunny and Andy Irvine at the Ballisadore Festival, Ireland, 1979